Yeah, i'm so excited over all the submissions falliing seemingly out of the sky. There's tons of interesting things this year (just like the previous one).
Quote:
usually the artist is too busy to work on a non-profit project long enough
Tricks up my sleeve (no magic) to make time work:
-Weekly checks that i've pushed at least one project forward.
-Flexible job routine most of the year. I'm usually able to shift around assignments and contracts as long as they get finished on time, or otherwise pick dates for gigs as i need when touring fairs and expos.
-The amount of work is a little uneven so sometimes there's no spare time at all, at other times i can really dedicate myself for hours on end. It helps at least me that there are some unfragmented pockets of time where i can focus on doing one thing.
-When touring i almost always take the bus or train, which means i can work on hobby stuff while traveling.
-1 monthevery year spent in an isolated cabin with not much else to do, working in a park daytime, moving pixels and music on the evening. My version of paid vacation.
-Rest of the year i live in a co-housing with a couple of people of similar life philosophy and occupations. Pushes down rent and monthly fees almost by half, which means i can sometimes afford a bit of unpaid leave to pursue other things in life, including this.
-the house is too small to raise a family, so none of us do that for the time being. Might be the biggest factor, haha.